Wanbli Ceya on the move
Oglala pop singer excited about ‘Bunniez and Bearz’
PINE RIDGE— Although he does hop in planes and fly oversees to far off places, and dream big dreams, about dramatically transforming his Oglala world through his music and his vision, Wanbli Ceya is, at his elemental core, as plain and simple as the most isolated patch of windswept, sunbaked, blizzard-blasted buffalo grass on the reservation he calls home.
He is not big, or strong, or fearsome, and despite also fearing failure as much as any ambitious person, he is still a warrior determined to succeed. He is willing to live and work humbly, among the wahpanica, the Oglala poor, and when he promises no amount of success can ever kill his humility, or compel him to leave his home, you believe him.
“I’m really just trying to take the reins on everything,” he says, “and it’s really awesome, and I’m so much happier than I’ve ever been, because I’m back (in Pine Ridge) and I’m making it work.”
His journey began in Iowa, where as the son of an adopted Oglala mother, he was raised in the Wasicu world, and he fought his way out of a suffocating reality that left him in poor mental health, struggling with Post Traumatic Stress Disorder (PTSD). Despite being a singular personality, cut from clearly specific cloth, he managed to make his way back to his tribe, slip into the fold, and humbly embrace his Oglala identity. Externally, the man in the mirror was clearly Oglala, and internally, it took very little time for Wanbli to return to his Oglala roots.
He had early success, as the pop performer, JuQ, being nominated for best debut artist, and his nine-track project, Tempo, nominated for best pop recording, in 2017, at the Native American Music Awards. His first video, about his song, July, received over ten thousand hits in 2018, and the Native Hope documentary, in which he was featured, amassed over 140,000 hits in one week.
Wanbli must have thought himself on his way to at least financial security, if not music fame, but as big as his first step into the world of pop music had been, his next steps ran afoul of stumbling blocks and dead ends. He left Dakota South Records to hook up with Dream Warriors, and they hooked him up with a three-month trip to Liverpool, England, and a chance to hone his art and presentation with similar young artists at Brouhaha International.
But once back stateside, an inner alarm clock kept warning Wanbli that he must remain true to his original path, his distinct vision, about who he was, what made his people special, and what he had to do to play his part to help them heal their wounds and return to the people they had once been. So, he cut his ties with Dream Warriors as well.
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