"Two by two, the dozen or so people in my tour group took turns lying on our backs, hands at our sides, and slowly sliding ourselves into a narrow crevice under a rocky overhang, like mechanics sliding under a car. “Don’t touch the ceiling!” our guide implored. “It’s better if you just wriggle and scooch yourself in,” someone said helpfully as one pair tried the maneuver. A moment later a voice from inside called out, “Oh my God, amazing!” and another yelled, “Woooowww! Incredible drawings.” We were in Hueco Tanks State Historic Site near El Paso, Tex., and the tiny dome-shaped niche was called Umbrella Cave. Inside, we gazed upward at centuries-old images that render it a sort of miniature New World Sistine Chapel — rust-colored, graceful, haunting outlines of human and animal forms, painted on the rock as much as 800 years ago or even more. About 2,000 rock paintings, called pictographs, are scattered over the 860 rugged acres of Hueco Tanks, offering the visitor an experience of archaeology combined with adventure that conjures up Indiana Jones. Ancient artists, working with colored paints, hid the pictures in cavities, cracks and crevices. Seeing even a small part of this abundance requires clambering over rocky mounds, crab-walking down steep slopes, sliding into irregular niches and squeezing through narrow passages. Whether the painters planned it or not, the locations they chose served to preserve their work, protecting it from centuries of sunlight, wind and rain. As if caught in a curious cultural slipstream, many of these images remain clear and bright, offering a vivid glimpse into the psyches of people long gone. The park’s name comes from the bowl- and hot-tub-sized craters, called huecos (Spanish for hollows or recesses) strewn over its hillsides. Partly because the huecos are natural water catchments — or “tanks,” in Texas usage — and can hold water for weeks or months, they have attracted people living or traveling in this dry climate for at least 10,000 years. Hunters and gatherers were followed by early farmers and, more recently, Mescalero Apaches, colonial Spaniards and 19th-century settlers heading west." Get the Story:
On Rock Walls, Painted Prayers to Rain Gods (The New York Times 9/19)
pwnyt